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I appeal to you therefore, brothers, by the mercies of God, topresent your bodies as a living sacrifice, holy and acceptableto God, which is your spiritual worship. Do not be conformedto this world, but be transformed by the renewal of your mind,

that by testing you may discern what is the will of God, whatis good and acceptable and perfect. -Romans 12:1-2

EXT. THE SHAW’S HOUSE - FRONTLAWN - NIGHT

A perfectsuburbanhouse with bay windows and a front lawn.

The SHAW family. Caucasian and warm - RICHARD, 34; NANCY, 30;

JOSHUA, 6; and MAY, 4 - eat dinner inside. Richard reads

something on his tabletilluminating his face.

JOSHUA:

Which one are we going to?

RICHARD:

The one in Orlando.

NANCY:

Disney World.

JOSHUA:

Tony said that Mickey is notreally Mickey; it’s someoneelsein there.

RICHARD:

Mickey’s Mickey.

EXT. SUBURBANSTREET - NIGHT

ANDRE, 29, an African-American man runs down the sidewalk in

sweats. He listens to jazz on his phone. The music stops. Hestopsrunning and checks his phone.

ANDRE:

Damn.

He’s right in front of the Shaw’s house. He glances inside.

The Shaw’s seem normal and content. Andre smiles.

A motiondetectingsecuritylightfloods the lawn.

INT. THE SHAW’S HOUSE - DININGROOM - CONTINUOUS

Richard looks up from his table to see Andrestanding there.

The rest of the family doesn’t notice. Nancytends to May, whoSQUIRMS in her chair. RichardwatchesAndre protectively.

2.

JOSHUA:

Also, Tony said he saw a chefMickey and a normal Mickey.

NANCY:

He must have changed his clothesfor work.

Technical drawings — Construction drawings — Designation of buildings and parts of buildings — Part 2: Designation of rooms and other areas 95.99 ISO/TC 10/SC 8. Mechanical engineering drawings 01.100.25 Electrical and electronics engineering drawings Including electrical tables, diagrams and charts: 01.100.27 Technical drawings for telecommunications and information technology fields 01.100.30. Drawing numbering system iso.

EXT. SUBURBANSTREET - CONTINUOUS

Andre walks on. It’s getting dark. He is suddenly very alone.

A vintage creme-colored PorscheBoxter with tintedwindows anda roof CREEPS up on the streetbehind Andre. It’s followinghim.

INT. SPORTSCAR - CONTINUOUS

Driver’s POVwatching Andre. His BREATHECHOES deep and tinnyas if it were into a coffee can. Through the car’s systemwehear an English to Frenchlanguagetutorial recording.

TUTORIAL:

Pardon me. Where is the nearest

restaurant? Pardonnez-moi. Ou est

le restaurant le plus proche?

The driver doesn’t repeat.

EXT. SUBURBANSTREET - CONTINUOUS

Andre, feeling followed, stops to tie his shoe. The car alsostops. Andrewaves at the unseen DRIVER. There is no response.

The ENGINE PURRS.

Andre beginswalking again. The car beginsslowly too. Andrestops again. The car does too. Andrepeersthroughthewindshield but can’t see through the tint.

ANDRE:

Konvertor latinice u cirilicu za word 2010 free download for mac. Can I help you..?

No response.

ANDRE (CONT’D)

I’m new to the area. I just movedhere.. Down on Evergreen..

Nothing. Did I do something wrong? ’Cause-

3.

INT. SPORTSCAR - CONTINUOUS

Driver’s POV. Andrecontinues to talk, but isn’t heard.

TUTORIAL:

Can you show me the nearestbathroom? Pouvez-vous me montrer

la salle de bain la plus prouche?

EXT. SUBURBANSTREET - CONTINUOUS

Andre hearsnothing from inside.

ANDRE:

(under his breath)

This is some shit right here.

Andre begins walking. The car creepsalongside him. After afew steps, Andrestops again. The car stops. Andre laughs.

ANDRE (CONT’D)

Wait a minute. I know you? Youmessing with me right?.Come on.

No response. He realizes it’s not a friend.

ANDRE (CONT’D)

You know this could be considered

stalking and harassment. Plus,

you’re sitting in a deadlyweaponso that’s some felony-type shitright there.

No response.

ANDRE (CONT’D)

What?!? Say something then.

No response. Andre can’t hide his anger anymore. He startswalking the other direction. The car backs up, followingAndrein reverse.

ANDRE (CONT’D)

(to himself)

Calm down, Andre. Don’t do it.

Don’t let him get to you.